Shades of Red (apparently intended only as a reference to Vivaldi's hair color, rather than to the hues of the instruments' varnish or to any synaesthetic qualities in the music) is primarily an album of representative concertos and trios, exquisitely performed by recorder player Matthias Maute, violinist Jörg-Michael Schwarz, and the splendid Baroque chamber ensemble Rebel. Secondarily, this CD appears to be something of a showcase for the group's authentic period instruments and fine modern re-creations;
Vivaldi: Arie d'Opera / Manzotti, Bologne Baroque Orchestra TC672214 Tactus 04/11/2000 CD Angelo Manzotti Bologne Baroque Orchestra / Paolo Faldi 1 hours 14 minutes Orlando furioso, RV 728: Nel profondo by Vivaldi, Antonio Manzotti, Angelo Faldi, Paolo Bologne Baroque Orchestra L'incoronazione di Dario, RV 719: Mi va scherzando in sen by Vivaldi, Antonio Manzotti, Angelo Faldi, Paolo Bologne Baroque Orchestra Il Teuzzone, RV 736: Sinfonia by Vivaldi, Antonio Faldi, Paolo Bologne Baroque Orchestra Mantua,
Vivaldi / Carmignola, Marcon, Venice Baroque Orchestra B0006504 07/04/2006 CD Giuliano Carmignola Venice Baroque Orchestra / Andrea Marcon 0 hours 58 minutes Concerto for Violin in G minor, RV 331 by Vivaldi, Antonio Performer: Carmignola, Giuliano Conductor: Marcon, Andrea Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: 01/2006 ; Concerto for Violin in C major, RV 190 by Vivaldi, Antonio Performer: Carmignola, Giuliano Conductor: Marcon, Andrea Orchestra/Ensemble: Venice Baroque
2002 JUNO Award Nominee A Baroque Feast - Bach, Vivaldi, et al / Lamon, Tafelmusik AN29811 Analekta 05/15/2007 CD George Frideric Handel , Henry Purcell , Antonio Vivaldi , Johann Sebastian Bach , Pietro Antonio Locatelli , Alessandro Marcello Maxine Eilander, Christina Mahler, Allen Whear, Jeanne Lamon, Genevive Gilardeau, John Abberger Tafelmusik / Jeanne Lamon 1 hours 18 minutes Solomon, HWV 67: Arrival of the Queen of Sheba by Handel, George Frideric Lamon, Jeanne Tafelmusik 11/2001 ; London, England
Antonio Vivaldi's rediscovery after World War II quickly led him from obscurity to his present renown as one of the most popular 18th-century composers. Heller's biography presents the important facets of his life, his works, and his influence on music history.
Looks can be deceiving -- take for example Philippe Jaroussky. Attired in expensive, well-tailored shirts and looking off into the distance, young singer Jaroussky looks like he could be actor Mel Gibson's little brother (or, by this time, Gibson's son). Put his Virgin Classics album Vivaldi: Virtuoso Cantatas in the disc drive, and the uninitiated might be moved to ask, "This is lovely, but who is the lady singing?" It's not a lady -- it's Jaroussky, who is a male soprano.Although in some places one will
From Linn Records BACKGROUND: "The three concertos for the flautino by Antonio Vivaldi (1678-1741) have been controversial since they were first published in the Vivaldi complete works in the early 1950s. Until recently, the major talking point was their instrumentation: what was a flautino? The original editor of the concertos, the Italian composer Gian Francesco Malipiero, published them without comment for ottavino, the modern Italian word for the piccolo. But recorder enthusiasts soon took notice,
Conductor and violinist Jonathan Carney's interpretations of Antonio Vivaldi's "Four Seasons," Johann Pachelbel's "Canon," and J.S. Bach's "Brandenburg Concerto No. 3" will probably satisfy both fans of mainstream Baroque performances and casual listeners, but their appearance on a budget disc on the Sheridan Square Entertainment label may make some question their value as music. Appearances can be deceiving, however, and listening is necessary to appreciate the technical polish and expressive grace Carney
60 Best Loved Classics 828027000427 828027000427 (Composer: Fr‚d‚ric Chopin (1810 - 1849)) Length: : - Period: Romantic (Composer: Wolfgang Amadeus Mozart (1756 - 1791)) Length: : - Period: Romantic Length: : - Period: 20th Century Written 1886 France Written 1846 Paris, France (Composer: Robert Schumann (1810 - 1856)) (Composer: Ludwig van Beethoven (1770 - 1827)) Length: : - Period: 20th Century Length: : - Period: Classical Written 1727 Venice, Italy (Composer: Antonio Vivaldi (1678 - 1741)) Length: : -
Italian Arias Of The Baroque And Classical Eras - Book Only (High) About Italian Arias Of The Baroque And Classical Eras - Book Only (High) Edited by John Glenn Paton. For high voice and piano (High Voice). Vocal Collection. Opera, Baroque and Classical Period. Difficulty: medium. Collection. Vocal melody, lyrics, piano accompaniment, translations, pronunciation guide, performance notes and introductory text. 160 pages. Published by Alfred Music Publishing (AP.4976). ISBN 0-7390-2191-5. With vocal melody,
Certainly one of the pivotal events in twentieth century musical archaeology was the re-introduction of Italian Baroque master Antonio Vivaldi to the classical music canon. And while Vivaldi's famous set of concerti, "Il Quattro Stagione" (The Four Seasons), is known to nearly everyone by the twenty-first century, the curious listener cannot be blamed for wondering where to go next, since Vivaldi's worklist is so dense and packed with the same kinds of works in immense quantities.One of the very best places
Antonio Vivaldi was one of the most prolific composers ever in terms of concertos, and with the modern proliferation of period performance practice recordings being made of Baroque music, it's wonderful to see more of the "Red Priest's" lesser-known chamber works gaining some exposure. This album by violinist Enrico Gatti and Ensemble Aurora presents seven of the sonatas from Vivaldi's Op. 2 for violin and continuo. The liner notes, written by the artist himself, are quite informative and give clear insight
Vivaldi: 6 Cello Sonatas / Pieter Wispelwey, Florilegium , William Carter , Elizabeth Kenny , Neal Peres Da Costa , Daniel Yeadon Channel Classics Pieter Wispelwey 1. Sonata for Cello and Basso Continuo in B flat major, Op. 14 no 6/RV 46 by Antonio Vivaldi Performer: Pieter Wispelwey (Cello), William Carter (Theorbo), William Carter (Archlute), William Carter (Guitar), Elizabeth Kenny (Archlute), Neal Peres Da Costa (Harpsichord), Neal Peres Da Costa (Organ), Daniel Yeadon (Cello), Elizabeth Kenny (Guitar),
Giuliano Carmignola, Andrea Marcon, and the Venice Baroque Orchestra continue their exploration of the unknown and neglected works of Antonio Vivaldi with an album comprised of premiere recordings of six violin concertos from the composer's later years. The fact that much of Vivaldi's work beyond 1730 is obscure is due, in large part, to his decision to discontinue selling scores to publishers, instead offering them directly to private patrons. Anyone encountering these late-period works for the first time
PAMELA THORBY/BAROQUE RECORDER CONCERTOS SACD Item Number: LINSAM217 Brand/Label/Format: *LINN M-CH SACD* Unit Price: $22.99 Detailed Description Features: • Hybrid Multichannel/Stereo SACD/HDCD Selections: Antonio Vivaldi (1678-1741) Concerto per Flautino in G major 1. Untitled 2. Largo 3. Allegro molto Georg Philipp Telemann (1681-1767) Suite in A minor TWV 55:a2 4. Ouverture 5. Les Plaisirs 6. Air a L'italien 7. Menuet I & II 8. Rejouissance 9. Passepied I & II 10. Polonaise Giuseppe Sammartini
The Pachelbel Canon and Other Baroque Melodies / Paillard 65468 10/09/1990 CD Johann Pachelbel , Tomaso Albinoni , Jeremiah Clarke , Johann Sebastian Bach , George Frideric Handel , Antonio Vivaldi , Alessandro Marcello , Arcangelo Corelli , Jean-Philippe Rameau , Johann Melchior Molter , Domenico Zipoli Richard Siegel, Christian Larde, Gérard Jarry, Pierre Pierlot, Jean-Luc Ramecourt Paillard Chamber Orchestra / Jean-François Paillard 1 hours 13 minutes Canon and Gigue for 3 Violins and Basso Continuo in D
Baroque Festival The English Bach Festival Baroque Ensemble and Orchestra made these magnificent recordings at Osterley House in Middlesex, the Banqueting House in Whitehall, London and Ham House near Richmond, Surrey, England. Shot entirely on location, they are accompanied by The English Bach Festival Dancers dressed in period wigs and costumes. The players and dancers lavishly complement each other and provide a visually stunning masterpiece. Baroque Festival: Johann Sebastian Bach's "Suite No. 2 in B
25 min and 42 secs ago Baroque Recorder During the Baroque period the recorder became popular as a solo instrument. The recorder has its origins in Italy during the 14th century. During the Baroque period the recorder became popular as a solo instrument. In this week's offer you will find some great samples. We invite you to three wonderful Baroque recorder works, played by the world-known Swedish Drottningholm Baroque Ensemble, conducted by Anders Ohrwall and with Clas Pehrsson, an excellent Swedish
Bach, Vivaldi, Mozart, Leclair, Kod ly, Meyer: Violin Concertos / David Oistrakh Bach, Vivaldi, Mozart, Leclair, Kod ly, Meyer: Violin Concertos / David Oistrakh Bach, Johann Sebastian Konwitschny, Franz Dresden Staatskapelle Leipzig Gewandhaus Orchestra Violin Violin Instrument: Violin Period: Baroque FormGenre: Concerto Written: 1717-1723 Country: C”then, Germany 2 Vivaldi, Antonio Konwitschny, Franz Dresden Staatskapelle Leipzig Gewandhaus Orchestra Violin Violin Violin Violin Violin Instrument: Violin