Originally introduced in the early 1960s, the Fox Model III bassoon's long bore design can be identified by its very warm "round" tone, with even balance and excellent intonation throughout the entire range The secure acoustical design and the durable, cosmetically pleasing body make this a popular choice with military groups, university music programs, schools, individuals seeking a second instrument, and first time buyers interested in a high level of acoustical and cosmetic refinement combined with
Originally introduced in 1965, the Fox Model IV bassoon's long bore design can be identified by its very warm "round" tone, with even balance and excellent intonation throughout the entire range. The secure acoustical design and the durable body material make this an economical choice for schools, university music programs, and individuals seeking a second instrument. Budget conscious purchasers of a first instrument also find this a popular choice. Body Polypropylene, hand finished. Body lock. Mechanism
Introduced in 1972, the Renard 220 (long bore) can be identified by a very warm "round" tone, evenly balanced, with excellent intonation throughout the entire range. It is the most secure design and its tone quality fits well into both chamber music and orchestral bassoon parts. Like all long bore designs, it features an intonation guarantee that makes it very popular with students and schools.Body Black Maple, selected for tone and durability, naturally aged in our own facilities. Natural rubber linings in
Fox Model IV Long Bore Bassoon FOXIV Product Details: Fox Model IV Long Bore Bassoon Fox IV Bassoon is the perfect bassoon for the player with an extensive outdoor playing schedule. With its polypropylene body, it is impervious to fluctuations in temperature and and can't be damaged by moisture. Originally introduced in 1965, the Fox Model IV bassoon's long bore design can be identified by its very warm "round" tone, with even balance and excellent intonation throughout the entire range. The secure
Fox Model III Long Bore Bassoon FOXIII Product Details: Fox Model III Long Bore Bassoon Fox III Bassoon is the perfect bassoon for the player with an extensive outdoor playing schedule. With its polypropylene body, it is impervious to fluctuations in temperature and and can't be damaged by moisture. Originally introduced in the early 1960s, the Fox Model III bassoon's long bore design can be identified by its very warm "round" tone, with even balance and excellent intonation throughout the entire range The
Renard Model 222 Standard Long Bore Bassoon Renard 222D proves a great choice for the school music program wanting a wood bassoon or for the advanced doubler. Fox's least expensive wood instrument with a high D key, the Model 222D features a maple body with synthetic linings in the wing joint and boot to prevent cracking. The German mechanism of the Fox 222D bassoon is designed to aid students with smaller hands and all keys are silver plated . Each 222D comes complete with case, two reeds, neck strap,
Renard Model 220 Long Bore Bassoon Introduced in 1972, the Renard 220 (long bore) can be identified by a very warm "round" tone, evenly balanced, with excellent intonation throughout the entire range. It is the most secure design and its tone quality fits well into both chamber music and orchestral bassoon parts. Like all long bore designs, it features an intonation guarantee that makes it very popular with students and schools. Body Black Maple, selected for tone and durability, naturally aged in our own
Fox Model 601 Thick Wall Bassoon Long Bore Mountain Maple Body The demand for power by modern orchestras prompted the introduction in 1991 of the Model 601 bassoon, which featured thicker walls than earlier designs. This results in longer, larger, more resonant tone holes, and a tone quality that is bigger, yet slightly less concentrated than the short or long bore models. The Model 601 is the longer version and is slightly flatter with a warmer tone quality. It is somewhat more work to play, but it
Fox Model I Long Bore Bassoon Red Maple Body Originally designed by Hugo Fox, for 27 years principal bassoon of the Chicago Symphony Orchestra, the long bore design can be identified by a very warm "round" tone, evenly balanced, with excellent intonation throughout the entire range. It is the most secure design and its tone quality fits well into both chamber music and orchestral bassoon parts. It was redesigned and developed in 1970 with higher resonance levels under the supervision of Alan Fox in
Fox Model I Long Bore Bassoon Mountain Maple Body Originally designed by Hugo Fox, for 27 years principal bassoon of the Chicago Symphony Orchestra, the long bore design can be identified by a very warm "round" tone, evenly balanced, with excellent intonation throughout the entire range. It is the most secure design and its tone quality fits well into both chamber music and orchestral bassoon parts. It was redesigned and developed in 1970 with higher resonance levels under the supervision of Alan Fox in
Bassoon - Fox Model III Polypropylene Bassoon, Symphony Bore (Long) Catalog # BASIII Bassoon - Fox Model III Polypropylene Bassoon, Symphony Bore (Long) Fox Model III Polypropylene Bassoon, Symphony Bore (Long) Originally introduced in the early 1960s, the Fox Model III bassoon's long bore design can be identified by its very warm "round" tone, with even balance and excellent intonation throughout the entire range The secure acoustical design and the durable, cosmetically pleasing body make this a popular
Fox Model 601 Thick Wall Bassoon Long Bore Red Maple Body FOX601RM Product Details: Fox Model 601 Thick Wall Bassoon Long Bore Red Maple Body The demand for power by modern orchestras prompted the introduction in 1991 of the Model 601 bassoon, which featured thicker walls than earlier designs. This results in longer, larger, more resonant tone holes, and a tone quality that is bigger, yet slightly less concentrated than the short or long bore models. The Model 601 is the longer version and is slightly
Fox Model II Long Bore Bassoon Mountain Maple Like the Model I, the Fox II Bassoon is blessed with the same very warm and round tone with with excellent balance and even intonation throughout the entire range of the instrument. The Model II does not have the additional rollers of the Model I. Originally designed by Hugo Fox, for 27 years principal bassoon of the Chicago Symphony Orchestra, the long bore design can be identified by a very warm "round" tone, evenly balanced, with excellent intonation
Fox 201 Short Bore Bassoon Mountain Maple Body Introduced in 1968, the short bore model of instruments features a tone quality that is more "open" than the long bore. It is voiced to permit the performer to open up and "sing" in solo register, and its tone quality lends itself to solo performance. It was designed and developed under the supervision of Alan Fox in conjunction with prominent bassoonists in major symphony orchestras. Like all Fox bassoons, it features freedom of response, intonation, tonal
Fox Model 660 Thick Wall Bassoon Short Bore Red Maple Body The demand for power by modern orchestras prompted the introduction in 1991 of the Model 601 bassoon, which featured thicker walls than earlier designs. This results in longer, larger, more resonant tone holes, and a tone quality that is bigger, yet slightly less concentrated than the short or long bore models. The Model 601 is the longer version and is slightly flatter with a warmer tone quality. It is somewhat more work to play, but it delivers