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The Pro VLA by ART is a tube driven Vactrol-based Compressor/Leveling amplifier designed to excel in any professional audio application, including tracking, mixing, mastering, live sound or broadcast situations. By using an opto-electronic design, (as opposed to a more typical VCA driven level detection circuit) the Pro VLA II allows more compression to be added to an audio source with a more natural, musical sounding output and virtually transparent dynamic leveling. This VCA-less design coupled with a
"The Ashly CLX-52 is a 2-channel compressor/limiter that uses an ""infinite soft-knee"" characteristic and timing based on compression ratio. This, combined with a dual release time, allows program density to increase as the input signal increases. The result is a peak controller with very low noise, smooth sound, and excellent stereo tracking, and without the usual ""constricted"" limiter sound. The CLX-52 has many ways to deal with any gain structure. The mechanical design is ready for years of rugged
The Studio Channel is a professional channel strip combining Class A tube preamplifier, VCA-based compressor and three-band parametric equalizer perfect for the professional and project studio. Great for all types of microphones, instruments, keyboards.
ToadWorks Mr. Squishy is an analog compressor pedal that combines purity of tone with tight, punchy squeeze-on-demand. Mr. Squishy has been tested with a wide range of amplifiers, including tube, solid state and hybrid, and it delivers the goods every time. Don't you just hate when you kick on the compressor, and your guitar sound changes? Compressors aren't supposed to do that. ToadWorks Mr. Squishy is the anti-compressor - your tone stays crystal clear and unblemished. Mr. Squishy provides plenty of
Great engineers know how important smooth stereo-bus compression is for adding that final polish to your tracks. If you're looking for a great stereo-bus compressor, then check out the Chameleon Labs 7720. The 7720 stereo bus compressor gives you the same legendary VCA compression circuitry found in vintage recording consoles. The 7720 provides you with a wide range of compression, from a mild 1.5:1 ratio to a heavy 10:1 setting. Five switchable sidechain filters (60Hz, 90Hz, 130Hz, 200Hz, and 440Hz) let
TThe Fabrik C (MINT™) has all the qualities of a channel strip (with full-blown EQ, de-esser and 3-band/full band compressor) in one single plug-in. MINT™ (Meta Intuitive Navigation Technology) enables you to respond fast, intuitively and with total control dedicated parameters.
The Studio Channel is a professional channel strip combining Class A tube preamplifier, VCA-based compressor and three-band parametric equalizer perfect for the professional and project studio. Great for all types of microphones, instruments, keyboards an
Guitar Pedals & Effects - The BBE Opto Stomp effects pedal delivers the same popular compressor from their B-Max bass preamplifier, just in a convenient, standalone stompbox form. This guitar or bass effect delivers a highly musical compression alongside excellent dynamic control. In between the compression control and the volume control, a pad switch allows you to attenuate the input to accommodate active or passive instruments. An non-slip rubber bottom keeps the rugged pedal in the just the right place
The Pro Channel from ART is the latest offering from the world's most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product - creating the world's best-sounding and most affordable professional recording channel. The Pro Channel features many new and exciting design enhancements to ART's pro and home studio staples, including the addition of a tube circuit to the compressor module. The Pro Channel allows you to
ART PROVLA II ART PROVLA II 2-Channel Vactrol-Based Compressor /Leveler Special Order. Ships at Later Date You Save: $80.99 (21.31%) 3 years 32.99 Special Order Product Features 2-Channel Vactrol-Based Compressor /Leveler VCA -Less vactrol opto-compression design Mastering quality audio signal path Tube gain stage Enhanced link mode Variable threshold, ratio & output controls LED Backlit VU input/output level metering LED Metering indicates both average level and peak hold Accurate ten segment LED gain
ALTA MODA Hippo: The Hippo VCA-based Stereo Compressor ALTA MODA Hippo: The Hippo VCA-based Stereo Compressor Details Alta Moda Audio Hippo is a high-performance bus compressor designed for the 500-series suitable shelf systems. The Hippo is based on a VCA topology made popular in extremely effective recording consoles of the 1980's, however includes lots of modern attributes not discovered on typical bus compressors . Features : WIDE CONTROL RANGES The Hippo features extended attack, release and ratio
The Pigtronix Bass Station compressor /booster /DI is an analog tone hub for your electric bass rig - and it's only available at Sweetwater! Dial in just the right amount of fatness and sustain with the compressor, then blend in your dry signal to taste to maintain your punch and dynamics. When you need your bass to stand out, the Bass Station's booster switch gives you up to 12dB of gain for an ultra-clean signal boost. With a built-in effects loop, a Grit switch for smooth harmonic overdrive, and both an
Custom built exclusively for Sweetwater, the Pigtronix Philosopher's Twin Germanium guitar pedal gives you nearly infinite sustain with virtually no added noise. Based on the original Philosopher's Tone, the Philosopher's Twin Germanium provides you the smooth compression, epic sustain, and all of the super-flexible controls that made the original such a hit. The Philosopher's Twin Germanium also gives you an extra footswitch that lets you independently toggle its smooth diode-clipping "Grit" distortion, so
The Grace Design's m102 single-channel opto compressor gives you extreme control over your dynamics, without affecting your tone. It's the affordable, totally transparent optical compressor countless Sweetwater customers have been looking for! We're talking about the kind of tonal transparency that Grace Design has built their reputation on. Use the m102 liberally to smooth out erratic vocal parts or reshape bass, without introducing the least bit of distortion or coloring your sound. Go ahead, squeeze all
Put the SSL 611DYN 500 Series dynamics processor in your 500 Series rack, and you'll have the sound of a legendary SSL console. The 611DYN dynamics processor reproduces the sound of the VCA channel dynamics section found on the SL 4000 E console, which has been used since the early '80s to create countless hit records. With multiple switching options, you'll be able to tailor this compressor to any sound source. And because it's also a powerful limiter, expander, and gate, you'll find a use for the SSL
The Daking Comp 500 packs massive compression and limiting capability into a simple 500 Series rack compatible module. This VCA compressor/limiter delivers many of the benefits typically associated with high-end FET circuitry, providing you with satisfying warm and subtle smoothness that leaves the basic nature of your sound intact while controlling its dynamics. To put it mildly, the Comp 500 is the kind of simple, easy-to-use compressor you can just as easily put to work tracking, mixing, or in your live
Daking's FET III gives your tracks that extra "oomph," without over-coloring them. The FET III lets you stay true to the vibe of the original mix, while you get your tracks where they need to be. Think of it as a studio tool, not a paint brush. Saying that, though, shouldn't take away from the versatility of the fully Class A FET III. It works well on an extraordinary variety of sources. The highpass filters - an upgrade from the FET II - let you improve and customize the limiter behavior of the FET
ART Pro VLA II - Two Channel Vactrol-based Compressor ART Pro VLA II - Two Channel Vactrol-based Compressor The Pro-VLA is a tube driven Vactrol-based Compressor / Leveling amplifier designed to excel in any professional audio application, including tracking, mixing, mastering, live sound or broadcast situations. Price: $379.00 By using an opto-electronic design, (as opposed to a more typical VCA driven level detection circuit) the Pro-VLA II allows more compression to be added to an audio source with a
Tube vs. solid-state technology. It's a debate as old as transistors. Now you can have the best of both worlds with the DCL-200 Compressor/Limiter from a leader in high-end gear, Summit Audio. Based on a proprietary hybrid design, the DCL-200 two-channel compressor-limiter combines the most desirable sonic characteristics of vacuum tubes with the increased reliability of solid-state devices. Its circuitry incorporates selected 12AX7A vacuum tubes with high-reliability 990 op-amps in a transformerless signal
ART PRO VLA II Two Channel Vactrol-based Compressor Item # PROVLA-II ART PRO VLA II - Two Channel Vactrol-based Compressor I was just notified of my winning of the Fender Cabronita Telecaster! Goes to show, any average "Joe" can win, if I did, anyone can! Thanks Pro Audio Land! The ProVLA II is a tube driven Vactrol-based Compressor / Leveling amplifier designed to excel in any professional audio environment. Superior performance and an incredible tone makes the ProVLA II and indispensable tool for
The S com plus is a highly adaptable stereo compressor/limiter in an efficient single Rackspace design. It is intended for situations where extra flexibility is required to optimize signal levels. It delivers essential control along with simplicity of operation. S com plus's comprehensive and wide-ranging controls provide extensive manipulation of audio dynamics, even in the most complex situations. Each channel features a wide range of variable control. A feature-rich Compressor section includes variable
The Warden is an optical compressor with a feature set usually reserved for studio grade units. Built with high grade components and internally powered by 18v, The Warden has loads of gain and sustain on tap. With complete control over attack, release, sustain and ratio, The Warden will allow everything from a heavy squash with fast attack and release to barely there subtle compression. Optical compression has a reputation for having more character than a VCA or FET based compression and The Warden is no
On purchase of Pigtronix products made with your Sweetwater Card now through February 28, 2014. The Pigtronix Bass Station compressor /booster /DI is an analog tone hub for your electric bass rig - and it's only available at Sweetwater! Dial in just the right amount of fatness and sustain with the compressor, then blend in your dry signal to taste to maintain your punch and dynamics. When you need your bass to stand out, the Bass Station's booster switch gives you up to 12dB of gain for an ultra-clean
17XS MkII FET Style Compressor/Limiter, 1176-Style Compressor/Limiter, Selectable High & Low-Pass Filters, Sidechain High-Pass Filter, Ratio from 4:1 to 100:1, Dry/Wet Mix Knob, Mix & Direct Outputs, True Hardware Bypass, The 17XS MkII FET Style Compressor/Limiter from Lindell Audio is a single-channel 1176-style FET compressor and limiter. It has 5 step switched selectable ratio ranging from 4:1 to 100:1 for compression from mild to squashed. A selectable high-pass filter at 80Hz and low-pass filter at
The CLX-52 compressor/limiter uses an ''infinite soft-knee'' characteristic and timing based on compression ratio. This, combined with a dual release time, allows program density to increase as the input signal increases. The result is a peak controller with very low noise, smooth sound, and excellent stereo tracking without the usual ''constricted'' limiter sound. The CLX-52 is extremely useful for such diverse applications as loudspeaker protection, vocal level control, broadcast limiting, musical
ART Pro VLA II Tube Compressor Easy Payments, Fastest Shipping, Best Customer Service and Free Extended Warranty on ART Pro VLA II Tube Compressor. AmericanMusical.com makes it simple to buy gear! New Lower Price! Was: $299.00 Product Description ART Pro VLA II Tube Compressor By using an opto-electronic design, (as opposed to a more typical VCA driven level detection circuit) the Pro-VLA II allows more compression to be added to an audio source with a more natural, musical sounding output and virtually
S-com 4 Four Channel Compressor /Gate Samson S-com 4 Four Channel Compressor /Gate SCOM4XXXX -P Description Specifications Reviews • 4 Channel Compressor/Limiter, Expander/Gate with Enhancer • Linkable in two Stereo pairs • Expander/Gate with variable Trigger control and switchable Fast/Slow Release • 5 Segment LED meters for Input/Output levels and Gain Reduction on each channel • Advanced circuit design utilizing Low Noise Operational Amplifiers and High Quality VCA's • Servo Balanced Inputs
The ART Tube MP/C (PreAmplifier /Compressor ) is a multi-purpose tool for audio engineering and recording. Two independent circuits featuring a tube-based analog preamplifier and a VCA-less compressor with optical gain reduction control are housed in one, convenient desk-top chassis.
The ProVLA II is a tube driven Vactrol-based compressor/leveling amplifier designed to excel in any professional audio environment. Superior performance and an incredible tone makes the ProVLA II an indispensable tool for tracking, mixing, mastering, and more.
"The dual channel Daking FET III compressor limiter from Geoff Daking is built in the US with the same audio path and detector circuits as their highly successful single channel Daking FET II limiter. The FET III compressor circuitry and gain stages are all discrete and fully Class ""A"" with sound quality that will be at the very top of the scale. Our previous single channel FET II was known for its speed, high performance and its unique ability to sound great on an extraordinary variety of sources. The
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