Lovely, curvy earrings. I have handstamped the words 'posh chic' onto sterling silver disks. The disks have been oxidised and then polished to a soft sheen. Dangling in front of the disks are Czech glass beads in a purple coppery tone. The large, curvaceous earring wires have been handmade from slightly thicker than usual sterling silver wire. I have tumbled them for added strength and shine. Length of earrings from top of earring wires 2.2 inches. The earring wires are 1.2 inches at their widest point. The
A glorious cluster of sparkling tundra sapphire briolettes are individually wire wrapped to create this fantastically bold cocktail ring. If you are looking for a "wow" factor, then this is the accessory to pull it off with! Gorgeous shades of gold, caramel, plum, burgundy,green and violet tundra sapphire briolettes are meticulously wrapped using gold filled wire to a hammered gold filled band. ***Please note that I have wire wrapped these stones to move around freely on the ring, they dangle and sway with
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in
This most fab vintage pair of thigh high boots are from the late 80's era. They are from a Charles Jourdan line designed by Xavier Danaud. They are made of heavy black suede leather with a separate smooth leather lining. These have a leather sole and a 3-inch tall, sexy skinny round heel. There is a 4 inch section of the boot (brown section), which is made of a soft and pliable knit like fabric. The entire boot stack is soft enough to roll up in your hand. These great stilletto style boots are pull-ons (no
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in
BELLE OF THE PARTY LITTLE BLACK DRESS Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in
Coco Chanel created a dress featured in a 1926 Vogue. The dress was then called Chanel?s ?Ford? and it was featured in the magazine. Coco wanted it to be versatile and long-lasting (and boy was she right). It was The Little Black Dress. Since then it was given a uniform appeal by Dior; made to seem more dangerous and sexy by Hollywood femme-fatals; given a ?You can never have too many? stamp of approval by the Duchess of Windsor; and become an iconic piece of fashion eye-candy by Audrey Hepburn in